中文摘要：威廉·福克纳是美国文学史上最有影响的作家之一，美国意识流文学的代表人物。《喧哗与骚动》作为他的代表作，经典的意识流小说，对小说的写作手法产生不可磨灭的影响。然而，意识流不能完全代表这部小说。更确切地说，它不仅在文学表现形式中呈现出意识流，而且在其中呈现出复调的现象。复调音乐起源于音乐术语而后巴赫金利用这一理论来阐述陀思妥耶夫斯基的诗学，用来解释“多声部叙事现象”。本文以复调理论中的多角度叙述和对话理论为基础,探讨研究小说的视角结构与人物形象。论文主体部分主要针对第一人称叙述、时间的意义、重复叙述、大型对话、和微型对话以及它们的作用展开研究。

关键词：威廉福克纳；《喧哗与骚动》；复调主义；影响

Contents

Acknowledgments

Abstract

中文摘要

1. Introduction..1

1.1 A Brief Introduction to William Faulkner..1

1.2 A Brief Introduction to the Sound and the Fury.2

1.3 Polyphony Theory..3

1.3.1 The Development of Polyphony Theory.3

1.3.2 The Research Contents of Polyphony Theory.... 4

1.4 Research Questions5

1.5 The Purpose and Significance of the Research..5

1.6 Thesis Formation6

2. Literature Review...7

2.1 Situation of Study at Abroad.7

2.2 Situation of Study at Home.8

3. Polyphony Theory in the Sound and the Fury.10

3.1 From the Perspective of Narrative Structure: Multi- angle Narration..10

3.1.1 The First-person Narration..11

3.1.2 Significance of Time...12

3.1.3 Repetitive Narration..13

3.1.4 Summary...16

3.2 From the Portrayal of the Caddy and Quentin: Dialogic Theory.16

3.2.1 The Great Dialogue: Caddy.17

3.2.2 The Micro Dialogue: Quentin.19

3.2.3 Summary...20

4. Effects of Polyphony Theory in the Sound and the Fury22

4.1 Deepening the Theme.22

4.2 Exposing the Despair of Human Nature.23

4.3 Summary..23

5. Conclusion25

References26