摘要:“留白”作为中国绘画艺术的特殊形式语言，它在中国画中起到的作用是多方面的。中国画中的“留白”主要反映了中国绘画艺术的审美特征和基本精神，是中国绘画艺术的传统审美要求之一。所以本文以中国画中的“空白”在传统与现代中国画创作中的运用进行探究，进而一直延伸至当今画家应继续对“空白”规律的把握与开掘，并以此为媒介点探讨当代绘画语境下中国画中“空白”的现代意义。使中国画这种特定艺术语言更加充实完善，具有更强的表现力。

关键词：留白、审美、含蓄美

Abstract:Blank as a special form of language in Chinese painting art ,It plays a role in Chinese painting are various.Picture "stay white" mainly reflects Chinese painting art aesthetic characteristics and basic spirit, is the traditional Chinese painting art in aesthetic measure is the most fundamental aesthetic requirements.So taking picture "blank" in traditional and modern Chinese paintings application in ereating, explain the traditional Chinese painting,and then extends to aesthetic painter of today should continue "white" rule of probing and grasp and spot, and takes it as a media point explores contemporary painting in the context of Chinese modern meaning "blank". Make Chinese painting art language more fulfilling this particular perfect, have greater expressive and eternal artistic appeal.

Keywords: white, aesthetic, implicative beauty

“留白”作为中国绘画艺术的特殊形式语言，它在中国画中起到的作用是多方面的。中国画中的“留白”反映了中国绘画艺术的审美特征和基本精神，是中国绘画艺术的传统审美尺度之一。本文以中国画中的“空白”在传统与现代中国画创作中的运用进行探究，解释传统中国画的审美观，进而一直延伸至当今画家应继续对“空白”规律的把握与开掘，并以此为媒介点探讨当代绘画语境下中国画中“空白”的现代意义。使中国画这种特定艺术语言更加充实完善，具有更强的表现力。通过研究“留白”我发现留白还不是仅仅停留在构图上的问题，它与中国的传统哲学思想还有很大的关联，但是因为我个人的能力问题，所以还不能完全去解释！所以我会在以后继续深入研究着问题！