摘要

　　　就绘画创作而言，从选材到画面的构图以及色彩都会在自觉与不自觉中表露出创作者的个性特征，是创作者自身的个性和知识修养、人文修养等方面在作品中的独特反映。但无论是创作者个性的发展还是其艺术作品风格的形成，它们都是建立在艺术创造者本身的社会生活的基础上的。而花鸟画的产生肇于中国古人的“天人合一”的基本理念，更多地反映了艺术家与自然亲和意识。本次创作实践与研究，是我在认真总结上大学以来的所学所思所想，并且融入了我个人的情感的一次绘画创作的尝试，力图将我对中国画创作的一些想法尽量地表现出来。我采用了勾、皴、点、染等技法进行创作。 

关键词：绘画手法；技巧；工笔；国画颜料

ABSTRACT

　　　As far as the creation of the painting, the characteristic of the painter is revealed more or less from the material, composition of the picture and color. The author’s personality, mastery of his knowledge and humanistic diathesis are reflected uniquely. However, the development of the author’s personality or the constitution of work style, which are established in the basis of creator’s social life. Moreover, the flower-and-bird painting was designed from the basic idea —the unity of heaven and humanity in Chinese ancient times. It reflexes the close consciousness between the artist and nature.  This creation is the combination between the practice and study, the writer concludes the all knowledge that learned and thought in the college. Moreover, the writer blends in the emotions to the creation, which wants to do her best to present some thoughts about the Chinese paints. The ways of this creation includes drawing, cun, dye etc. 

Keywords：skills of painting; technique; gongbi; the pigment of traditional Chinese painting