摘要:漆画成为一门独立的画种，以它独特的艺术魅力有别于油画、中国画等；它的语言特征离不开漆的特性和材料、工艺的把握，漆画的美在于它和其他任何一种绘画艺术一样要求漆画家借住绘画语言外，还在于适用独特的材料和工艺；漆画家吴可人在材料的局限中寻求无限，二十余年在漆画艺术教学和创作研究上不遗余力、不断探索、不断创新，业绩卓显，本文在解读吴可人漆画作品创作轨迹的基点上，需求中国漆画艺术风格与样式的多元化发展的更深层次的思考；从吴可人的漆画艺术探索个案研究中获取一定的启示。

关键词:漆画    局限    无限     装饰性    绘画性    漆性

Abstract:lacquer painting contacts with its materials and techniques, it’s language features can not apart from the specialities of the lacquer and the management of handicraft and makings which the beauteousness of the lacquer painting is.Artist Keren Wu searchs for unlimitation through limitation.He spares no effort in his study of painting for almost twenty years,and with his continuous exploration and innovation he get more deeper achievement in lacquer painting forms and diversification of styles. To get revelations from Keren Wu’s painting arts and make comments about it.

Keywoyd: lacquerpainting confine  unlimited manufacturability  manufacturability   Paint sex